Statement
As an artist, I employ a painted mosaic technique—composed of single-color squares—to depict scenes of everyday life and ordinary people. Central to my work is an exploration of how perception shifts over time and distance. When viewed up close, the image appears abstract and fragmented, challenging the viewer to make sense of what they see—much like our experience of the present moment, which often lacks immediate clarity. However, as one steps back, both physically and conceptually, the image begins to resolve. Details coalesce, forms emerge, and the scene becomes recognizable. This interplay between proximity and perception invites viewers to reflect on how understanding often requires distance—whether in space or time—and how meaning is revealed through perspective.
